Abuja Nigeria Museums
Artist and designer Nike Davies Okundaye invites you to visit his museum in Benin, Nigeria, where an ancient culture thrives in a world that can be easily moved through talking drums and the Internet. The National War Museum has nominated it as one of the seven wonders of the world for tourists in Nigeria and is a major tourist attraction in Umuahia, Abia state. There you will find materials on the conflict in the Niger Delta as well as local bombs, also known as Ogbungwe. The National Museum of Benin, founded in 1973, has a collection of cast iron stones from the Old Ben in the Empire.
The museum shows that Benin City remains a vibrant artistic centre and the vision is to reunite it. The central objective of the Benin Dialogue Group was to work together to create a museum in Benin City, which would allow the creation of a permanent exhibition that would reunite all of his works of art scattered in collections around the world. The museum also has an academic function, as it organises workshops and holds lectures and seminars on the history and culture of Nigeria.
The next Benin Dialogue Meeting will take place in October 2017, followed by the opening of Rothenbaum Kulturen Kunste der Welt, a travelling exhibition of artworks from Nigeria, Africa and the Middle East.
Whether you are in Abuja, the capital of Nigeria, or in Benin, where we studied, Nike offers you the opportunity to visit art centers in Nigeria. From the moment you arrive and walk into the departure hall, you will be among the guests when you visit the art centres of Nigeria. Nigerian artists and craftsmen, and learn where they practice their craft, as well as more about the history and culture of the country and its people.
Nigeria is full of history, art and culture and one of the best places to see it in museums. When you come here and see the quality of the work, you can talk to those who are responsible for making the best art and sculpture you have probably seen. After leaving the Benin Museum we came for the first time to Abuja, the capital of Nigeria and home of Nike.
There is also a need to institutionalise numerous national museums and monuments that add value to Nigeria's history, civilisation and culture. The national governments where these museums and cultural sites are located should make them available to the public, which will complement the efforts of the National Commission on Museums and Monuments. It is a good opportunity to reflect critically on the role of archive centres in Nigeria, as they are an important source of information about the past, present and future of the country. The government and the organizations concerned should refocus attention on their role in preserving and preserving our nation's cultural heritage.
Arab manuscripts are in the country, but there is currently a lack of financial resources to manage and preserve these collections with a certain degree of efficiency. They lack the political will and financial resources to function effectively, and they also lack the expertise to handle and use these manuscripts with a degree of efficiency. Arabic manuscripts and lack of adequate resources for their administration and preservation.
The Nigerian federal government has set up the National Commission on Museums and Monuments, and although it is itself an organ of the Federal Ministry of Culture and Tourism, the resources were not sufficient to enable the museum to fulfil its statutory duties. The problem of financing must be addressed, because the management of such a large and complex collection, especially a capital-intensive collection, requires financing.
Since the Middle Ages, northern Nigeria has been symbiotically linked with the rest of the country politically, economically and culturally. The development of this activity has triggered the symbiosis of political - economic - cultural networks. During my trip, I met some of Nigeria's most important cultural institutions, such as the National Museum of Nigerian History and Culture, the Nigerian National Institute of Archaeology and Anthropology (NIAA), and I arrived in Abuja, Nigeria, on the eve of his visit to meet its director, Dr. Olukolade Nwachukwu.
The Benin Dialogue Group welcomed the idea of establishing a museum scattergun, which would be responsible for planning the museum's operations and managing the collection. The rationale explains why the building was preserved and used, and the structure is very strong and fully in use, serving as a press. This museum is planned for a new building in the heart of Abuja with a capacity of 1,500,000 square meters.